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Deja Vu of Love

Claire escapes but Doug, unable to get out, dies in the subsequent underwater explosion. As Claire mourns Doug's death, she is approached by an identical Doug Carlin, the one from her present, who consoles her.

The idea of a time travel thriller film originated between screenwriters Bill Marsilii and Terry Rossio , who were friends.

Rossio had a one-page idea for a film called Prior Conviction about a cop who uses a Time Window to look seven days into the past to investigate his girlfriend's murder.

As they were talking about it, Marsilii says "I had this explosive kind of epiphany—"NO! The first time he sees her should be at her autopsy! Rossio later wrote, "The first concept was good, and the second concept was good, too, and together they were great.

Ideas and issues and themes seemed to resonate, and in the end the screenplay felt as if it was telling a single powerful story.

Marsilii and Rossio wrote the script together. They communicated via email in attempts to develop the plot due to communication difficulties.

Brian Greene from Columbia University was brought in as a consultant to help create a scientifically plausible feel to the script.

Rossio later wrote that Scott was "Completely the wrong choice, in that Tony had stated he had no interest in making a science fiction film, and suggested the time travel aspect be dumped.

My hope was that we had a screenplay that could be the next Sixth Sense. Tony wanted to make just another also-ran surveillance film. Rossio says at one point Scott quit the project and he and Marsilii had to work on the script so that Denzel would not quit.

They reworked the script over two weeks and "the revision was deemed so good that not only did Denzel re-commit, he called Tony and talked him into coming back on board.

Reportedly Denzel made Tony look him in the eye and swear he wouldn't quit the movie again. Tony said yes, but on one condition—he wanted to bring on his own writers.

Principal photography in New Orleans, Louisiana , was delayed following Hurricane Katrina because of the devastation caused by the storm and the collapse of the levees.

Some scenes of the post-Katrina devastation were worked into the plot, including those in the Lower 9th Ward ; additionally, evidence of Katrina's impact on the city was worked into the script.

To create a sense of realism, Scott and Washington interviewed numerous men and women whose real-life occupations pertained to positions in the Federal Bureau of Investigation and the Bureau of Alcohol, Tobacco, Firearms and Explosives ; Washington has noted that he and Scott conducted similar research during the productions of Man on Fire and Crimson Tide.

The explosion of the Stumpf was filmed using an actual New Orleans ferry in a portion of the Mississippi River sectioned off especially for the event; the occurrence took over four hours to prepare.

Compositing was done on the Autodesk Inferno special effects program. Jim Caviezel's character, Carroll Oerstadt, seemed to mirror in several ways the story of Timothy McVeigh , a domestic terrorist who destroyed the Alfred P.

Murrah Federal Building in Oklahoma City with a bomb in Caviezel and Scott [15] did not deny this, and both admitted that the Oerstadt character was at least partly based on McVeigh.

Special features on the disc include an audio commentary from director Tony Scott for both the film and its deleted scenes.

Songwriters such as Harry Gregson-Williams contributed music to the film; artists like Charmaine Neville and Macy Gray performed music especially for the film.

The soundtrack was released by Hollywood Records. Alongside Mexico , the three countries were the sole nations to open the film in November.

The United Kingdom opened the film on December 15, , and was followed shortly thereafter by New Zealand on December Australia was the last English-speaking country where the film premiered, on January 18, The site's critical consensus reads, "Tony Scott tries to combine action, science fiction, romance, and explosions into one movie, but the time travel conceit might be too preposterous and the action falls apart under scrutiny.

Joel Siegel of ABC News called the film technically "well-made," but criticized its attempt to describe a supposedly scientific basis for time travel as both silly and dull, [27] as did Manohla Dargis of The New York Times , who additionally found the depiction of parishes decimated by Hurricane Katrina "vulgar".

Both Terry Rossio and Bill Marsilii have acknowledged that the film was not shot the way they had wanted it to be, shifting the blame to director Tony Scott and his goal to focus more on the action aspect of the film than on the more meaningful plot the screenplay had called for.

Marsilii, although "quite critical of the mistakes made," said he was proud of the finished product. The award was won by Brandon T.

Jackson for his performance in the film Roll Bounce. From Wikipedia, the free encyclopedia. Release date. Running time.

British Board of Film Classification. March 28, Retrieved July 4, Retrieved 23 June American Film Institute. USA Today. Retrieved Word Player.

Movies Online. Archived from the original on Fanboy Planet. Alternative on YouTube. The New York Times. February Internet Movie Database.

AWN, Inc. November 22, Box Office Mojo. Retrieved 19 October Archived from the original on 13 February Rotten Tomatoes. Fandango Media. Retrieved May 21, CBS Interactive.

Entertainment Tonight. August 26, Retrieved May 18, August Retrieved October 10, Archived from the original on October 13, Box Office Mojo.

Retrieved February 25, Rotten Tomatoes. May 14, Retrieved March 23, Entertainment Weekly. Retrieved September 9, Retrieved October 4, Retrieved December 26, Los Angeles Times.

May 5, Retrieved December 21, September 27, Deadline Hollywood. The Hollywood Reporter. Retrieved October 9, Retrieved July 9, Retrieved February 17, The Howard Stern Show.

August 29, Sirius XM Satellite Radio. Howard V-Intimate Nights. July 2, Clear Channel Communications. Retrieved July 3, Retrieved January 5, Archived from the original on August 10, Retrieved February 27, USA Today.

Retrieved March 1, February 24, Hollywood Life. Retrieved August 18, The Hamilton Spectator. Retrieved March 20, Discography Production discography Awards and nominations.

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